Artist Talk & Exhibition: The New Me–Statements, 2024
Kea Lisanne Hinsch & Lola Bott, Leila Mousavi, moderated by Anne Meerpohl
Kea Lisanne Hinsch & Lola Bott, Leila Mousavi, moderated by Anne Meerpohl
As part of the accompanying program of The New Women, a research project and exhibition curated by art historian Prof. Dr. Ina Jessen at the HFBK Hamburg, showing more than 50 works by 14 selected female artists and designers who studied at the predecessor institution of the HFBK, from 1907 onwards. The New Me–Statements, curated by Anne Meerpohl, invites current female students of the HFBK Hamburg to present their work and link themselves to the historical positions and generations of female artists, updating the themes of the time.
Herrenzimmer. Frauenzimmer. (to force the pit to breach the flesh), 2024
Lola Bott
Lola Bott
cherry stones, cherry stems, cherry wood veneer, Black&Decker portable workbench „Workmate“, a grandmother’s ironing board, ashtray, knife, my grandmother’s preserving jar, professional preserving kit, cherry stoner, pink camouflage tape, cherry-stained lace doilies, hunting trophy board, cherry pair from Alma de l’Aigle’s garden
dimensions variable
Performative Reading of The branches of the two trees were intertwined (Blütenfolgen)
by Kea Lisanne Hinsch & Lola Bott
Die Neue Frau The New Me— Statements: Lola Bott & Kea Hinsch und Leila Mousavi,
Artist talk & exhibition moderated and curated by Anne Meerpohl 10.–13.10.2024
ICAT—Institute for Contemporary Art & Transfer, HFBK Hamburg
Lerchenfeld 2a
22081 Hamburg
@kea.lisanne
@lola.bott
@leila.mousaa
@anne_mee
photo by Tim Albrecht
Performative Reading of The branches of the two trees were intertwined (Blütenfolgen)
by Kea Lisanne Hinsch & Lola Bott
Die Neue Frau The New Me— Statements: Lola Bott & Kea Hinsch und Leila Mousavi,
Artist talk & exhibition moderated and curated by Anne Meerpohl 10.–13.10.2024
ICAT—Institute for Contemporary Art & Transfer, HFBK Hamburg
Lerchenfeld 2a
22081 Hamburg
@kea.lisanne
@lola.bott
@leila.mousaa
@anne_mee
photo by Tim Albrecht